![[Editorial] The Evolution of Gale Weathers](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1629996693840-AFH3RXHCJ56B4RH08Y88/916823-courteneycox-scream.jpg)
[Editorial] The Evolution of Gale Weathers
When reassessing The Exorcist, there are implications of abuse brought on by Chris MacNeil’s reluctance to be a proper ‘mother’ to Regan…
![[Editorial] Re-assessing The Exorcist: Religion, Abuse, and The Rise of the Feminist Mother.](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1629995626135-T5K61DZVA1WN50K8ULID/image2.jpg)
[Editorial] Re-assessing The Exorcist: Religion, Abuse, and The Rise of the Feminist Mother.
When reassessing The Exorcist, there are implications of abuse brought on by Chris MacNeil’s reluctance to be a proper ‘mother’ to Regan…
[Editorial] Fat as a Death Sentence in Horror
Trigger warning of fat-phobia. I use the word “fat” as a descriptor rather than a derogatory term.
![[Editorial] Unravelling Mitzi Peirone’s Braid (2018)](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1628359114427-5V6LFNRNV6SD81PUDQJZ/4.jpg)
[Editorial] Unravelling Mitzi Peirone’s Braid (2018)
Everyone must play, no outsiders allowed, nobody leaves.
![[Editorial] “The Blood Ceiling”: Women in Horror and the Fight for Recognition Behind the Camera](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1630071472090-ARX458J9IF793FO0SRDT/creature+from+black+lagoon.jpeg)
[Editorial] “The Blood Ceiling”: Women in Horror and the Fight for Recognition Behind the Camera
Hannah Macpherson’s frustration grew as she sat in the lobby of Blumhouse Productions and took in the black and white photographs adorning the wall…
![[Editorial] Consenting to Fear](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1627315039748-FSUL5KT7DDRH3O6QLLJU/fear-stock-image-e1613070481910.jpg)
[Editorial] Consenting to Fear
As a horror fan, I opt into fear, and I am always chasing a good scare…
![[Editorial] Extreme Horror Films Most Likely to Haunt Your Dreams](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1629835313472-6BDM841UCPNQ325XO3XW/Opera+Mortum-thumb-860xauto-75993.jpeg)
[Editorial] Extreme Horror Films Most Likely to Haunt Your Dreams
It’s downright infuriating to hear people blather on about how a film can – nay will – cause someone to go off the deep end…
![[Editorial] Disability and Horror: A Quiet Place Part 2 (2021)](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1628190789970-84WQ67UMSJRGKUTBT4IE/a-quiet-place-part-2-millicent-simmonds-regan-2-1621846295.jpeg)
[Editorial] Disability and Horror: A Quiet Place Part 2 (2021)
I eagerly looked forward to this follow-up from John Krasinski’s A Quiet Place, which introduced a different vision of the apocalypse…
![[Editorial] You Can Hear Me: Navigating the Aural Gaze in Carnival of Souls (1962)](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1629838029545-T6MH3CMXXVQB5T8RG81Y/Image+1.jpg)
[Editorial] You Can Hear Me: Navigating the Aural Gaze in Carnival of Souls (1962)
When engaging critically with a film, we often talk about its gaze. Film is, after all, a visual medium, and how we look at the objects and characters on the screen shapes our relationship with the story…
![[Editorial] “How do girls know how to do that?”: Female Adaptation and Evolution in Spring (2014) Part 1](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1627210034927-7SREDUZN1HMANH9MRLS7/spring-2015-1200-1200-675-675-crop-000000.jpeg)
[Editorial] “How do girls know how to do that?”: Female Adaptation and Evolution in Spring (2014) Part 1
The time spent under lockdown due to the pandemic has meant audiences often turned to films and television for comfort, escapism or even challenge…
![[Editorial] Five Films About Necrophilia That You May Love To Death](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1628195499331-AA5PV0336GLDFKWF4I28/eROTic-new-teaser.jpeg)
[Editorial] Five Films About Necrophilia That You May Love To Death
Necrophilia, aka, the sexual attraction towards dead bodies, or a sexual act involving dead bodies is probably one of the biggest taboos not only in real life…
![[Editorial] Disability and Horror: Don’t Breathe (2016)](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1628190140617-2SD295TUWQLJMR2B1JUL/MV5BMjI0ODA1NjA3NF5BMl5BanBnXkFtZTgwNTA1NTc3OTE%40._V1_.jpg)
[Editorial] Disability and Horror: Don’t Breathe (2016)
Fede Alvarez’s Don’t Breathe was a break-out indie horror hit upon its release in 2016, a fact somewhat remarkable given its premise, an old blind vet who is both victim and villain defending his home from good-looking burglars…
![[Editorial] Medusa’s Man: Examining Brad in Teeth (2007)](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1626987486572-ZW2JQCKIR7QFJ23KUTME/MV5BMTU0ODY2NzY5NV5BMl5BanBnXkFtZTgwNTQ3Mzg5MTE%40._V1_.jpg)
[Editorial] Medusa’s Man: Examining Brad in Teeth (2007)
Teeth (2007) is a refreshing coming of age tale starring the underrated Jess Weixler as the virginal Dawn who has been cursed (or blessed, based on your perceptions) with the folkloric vagina dentata…
![[Editorial] Sorority Sister and Seasonal Slayings-Comparing Black Christmas (1974, 2006 and 2019)](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1625418306130-R1YFKAY61ZMUAV3IOG8K/Black+Christmas+1974.jpg)
[Editorial] Sorority Sister and Seasonal Slayings-Comparing Black Christmas (1974, 2006 and 2019)
While slashers are commonplace in the horror genre now, back in the ‘70s the sub-genre was on the brink of an explosion…
![[Editorial] Disability and Horror: Introduction](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1626989122856-ZD2QBMYNSCRSQ3B5CNW8/FREDDY.jpeg)
[Editorial] Disability and Horror: Introduction
Within the world of horror films, disability representation has had a fraught history, but one I’ve paid careful attention to all my life. I was born with a rare disease that took half my hearing, half my vision, and half my face…
![[Editorial] Familial Dysfunction and Intergenerational Female Dynamics: Determinism in Hereditary (2018)](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1625414967447-GDAUF37OKBOOHYBH81NU/Image+1.jpg)
[Editorial] Familial Dysfunction and Intergenerational Female Dynamics: Determinism in Hereditary (2018)
My first experience of watching Hereditary had a profound effect upon me. I left the cinema reeling…
![[Editorial] Christine: 1958 Ford Fury or a Symbol of the Teenage Outcast?](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1624608615269-E6WMHF56XDXG52PFNC1R/christine+1.jpeg)
[Editorial] Christine: 1958 Ford Fury or a Symbol of the Teenage Outcast?
John Carpenter’s Christine (1983) tells of the events which unfold when an unpopular nerd Arnie Cunningham (Keith Gordon) buys a car called Christine which he quickly becomes obsessed with…
![[Editorial] Fearing Love, Loving Fear: How Horror and My Valentine Helped Me Reclaim My Story](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1625258273588-MTBOUWEVMLO0K0P1NFEL/into-the-dark-1.jpeg)
[Editorial] Fearing Love, Loving Fear: How Horror and My Valentine Helped Me Reclaim My Story
I’ve always been a naturally anxious and markedly sensitive person. As a child, I spent most of my time split between attending school and traveling to the hospital…
![[Editorial] Zombie Movies With A Different Bite](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1621782315634-GT6OU8WVN7CYZT6KZUI2/zombie7.jpg)
[Editorial] Zombie Movies With A Different Bite
Hopefully this list of recommendations will help to scratch that particular fleshy itch…
![[Editorial] Interview with Yfke Van Berckelaer director of horror short Lili](https://images.squarespace-cdn.com/content/v1/5fe76a518d20536a3fbd7246/1624988826781-BSO09UW2FWOH1Q4688ME/Screenshot+2021-06-29+at+18.46.48.png)
[Editorial] Interview with Yfke Van Berckelaer director of horror short Lili
Director of short horror film Lili, Yfke Van Berckelaer, talks to journalist Harriet Fletcher all about the film…